A historical design assignment by Tomás Maldonado, at the Ulm School of Design, presented in 1963 in the magazine Ulm 8/9.
In the second quarter of the academic year 1962/63, Tomás Maldonado set the following exercise to the first year students of the Visual Communication Department: to design a case for a 33 1/3 r.p.m. gramophone record. The students could choose from records by
Mauricio Kagel (Transicion I, Transicion II, Antithese), by Karlheinz Stockhausen (Zyklus) and by Franco Evangelisti. If prefered, however, they could design a case for a record of their own selection. The cases
could be designed either in colour or in black and white – as also the circular labels in the centres of the records.
Some of the resulting works by students:
